Limaceous

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Jenny Saville "Migrants"
Cut Sex
The cut is possibility. For some transsexual women, the cut is not so much an opening of the body, but a generative effort to pull the body back through itself in order to feel mending, to feel the growth of new margins. The cut is not just an action; the cut is part of the ongoing materialization by which a transsexual tentatively and mutably becomes. The cut cuts the meat (not primarily a visual operation for the embodied subject, but rather a proprioceptive one), and a space of psychical possibility is thereby created. From the first, a transsexual woman embodiment does not necessarily foreground a wish to ‘‘look like’’ or ‘‘look more like a woman’’ (i.e. passing) – though for some transwomen this may indeed be a wish (fulfilled or not). The point of view of the looker (those who might ‘‘read’’ her) is not the most important feature of transsubjectivity – the trans-woman wishes to be of her body, to ‘‘speak’’ from her body.
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"Hate and Marriage, Can't Have One Without the Other?"
A lawyer for Littleton illustrated the capricious nature of gender and marriage: “Taking this situation to its logical conclusion, Mrs. Littleton, while in San Antonio, Texas, is a male and has a void marriage; as she travels to Houston, Texas, and enters federal property, she is female and a widow; upon traveling to Kentucky she is female and a widow; but, upon entering Ohio, she is once again male and prohibited from marriage; entering Connecticut, she is again female and may marry; if her travel takes her north to Vermont, she is male and may marry a female; if instead she travels south to New Jersey, she may marry a male.” This quote instances the absurdity of institutionalized gender categories and the requirements of marriage across the country.
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